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Purikura Madness

 

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Purikura Photo Booth
In my previous post that you can find here <Pen Pal Friends Postcards and Japan> I mentioned the tiny, sweet stick-on pictures that I was usually getting in letters from my Pen Friends. These photos are called "Purikura" in Japan. The name Purikura comes from the English name "Print Club", pronounced by the Japanese "Purinto Kurabu" and hence its shortened name. Photos - stickers were (and still are) sold from special photo booths, something like today's passport photo booths. These Purikura booths were usually located in game centres, shopping malls or train stations, and their creator was a software company called Altus based in Tokyo. It all started when Sasaki Miho, an employee of this company, decided to use the amazing sticker craze among schoolgirls, which generated substantial profits in the 90s. The craze for stickers with various themes, be it characters from your favourite anime series or cute animals, was so great that stickers were bought in sheets and used to decorate scrapbooks, letters, or photo albums. These stickers were also collectable, and for this purpose, special mini albums were created to store them, which were small enough to attach to key rings, purses or backpacks and show them to friends. In 1994, Sasaki came up with a concept to combine the two ideas into one, but it took another year before her idea was given a chance. In 1995. Altus developed a special machine that created instant, easily editable photos that became an immediate hit and by 1996. the profits of these machines accounted for 70% of the 36.5 billion yen (1). 

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Purikura Photos

But how does it all work? Everything happens behind a magic curtain 😅 The whole booth is quite large; it can accommodate 4-8 people at the same time. The cost of such a session is 400 yen, and right after paying this fee, there is a large touch screen where you can choose backgrounds, adjust brightness, and choose other custom features. The timer on the display counts down the time between each shot, where different backgrounds will appear, and participants will change their poses or make funny faces. After the photo session, participants will leave the studio area and move to the "graffiti corner" where they will have the opportunity to edit their photos using dedicated pens hanging on the side of the touch screen. After starting the session, the countdown of the time remaining for editing begins again and it depends on the number of people waiting to take photos or staying in the "graffiti corners". 

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Editing touch screen

After the beautification session is over, participants leave the booth and wait at the screen outside the booth to print their photos. There are 3 options to choose from: additional copies, the choice of printing photos in extra large format or sending photos to mobile phones (which of course was added later when mobile phones became widely used).

Later, such photos are stored in special Purikura albums, which the girls carry with them practically all the time so that they can exchange photos with friends or simply view each other's albums (2).



 Coming back to those times, I could not get over Purikura. In the 1990s, only digital cameras were available in Poland, the photos of which were recorded on a special photographic film. Developing such a photo was made on request in a photographic darkroom. Polaroids were also available that would print the photos immediately after they were taken. However, the option to edit any photos was not possible. Those photos of Purikuras stuck on Chigusa's letters were amazing to me, almost out of this world. I have always been very impressed that Japan is so technologically and culturally advanced. When I visit Japan, the Purikura is at the top on my to-do list 😊.

I hope you liked the article, if so like it, leave a comment or share. I always like to hear different opinions and will be happy to respond to any comment. Until next time 😊


References:

(1) Harvard Asia Quarterly, 2003. Harvard Asia Quarterly. A Journal of Asian Studies Affiliated with the Harvard University Asia Center, [online] VII(3), p.32. Available at:<https://projects.iq.harvard.edu/files/har/files/vol_7.3_summer_2003.pdf> [Accessed 23 March 2021]. 

  (2) Okabe, D., Ito, M., Chipchase, J. & Shimizu, A., 2006. The Social Uses of Purikura: Photographing, Modding, Archiving, and Sharing.



Read this article in Polish 👉+ Polski👈

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